Think blondes have more fun? Check out these sultry brunettes and think again.the best shades of brown and black right now are natural kicked up a notch. "It's about enhancing, not extremes. "Most of these celebrities are within two shades of their natural color, whether it's a tiny bit lighter or darker.
"This sandy brown color goes well . "It makes her face appear softer." Watson's hair is dyed two to three shades lighter than her natural color and blended with highlights. "It's so finely done that as it grows out, she's not going to get any major demarcations or root lines. She also notes that someone with a layered, wispy cut should avoid going too light. "Otherwise, their ends will appear thin or see-through."
CARAMEL BROWN:
"This is a lot of color. But these golden highlights still flatter and illuminate Jennifer Lopez's complexion because her base is brown. The lightest sections are toward the mid-length and the ends. To get Lopez's color, ask for a light brown base, and add highlights around the face out to the ends, gradually getting lighter toward the tips of the layers.
HONEY BROWN:
Although this blonde-brown warms up , Robinson cautions that someone without her anime lips and striking eyes might have trouble pulling it off. "A fairer person without big features or someone who doesn't wear a lot of makeup could get washed out by this shade. To get this look, ask for gold and honey highlights blended over a natural medium brown.
GOLDEN BROWN:
"This sunny, golden brown hair color really brings out the color of eyes. Subtle honey and caramel highlights also perk up her complexion. "The highlights are blended, not streaky, to make her hair look barely sun-kissed." Robinson recommends this shade for pale to olive skin tones. "It adds color without overdoing it.
CHESTNUT BROWN:
"This is the color anyone could wear. This chestnut brown shade warms up and enhances her brown eyes. Ask for a dark brown base and caramel and light auburn highlights to frame the face, mid-length, and ends. red highlights are the key to this look. "The red golds add dimension, making your hair look richer and more chocolaty."
MAHOGANY:
look isn't exactly the most low-maintenance. "Because the color on this is not woven through, this could look like a grown-out single process on someone who doesn't always have their hair done. If you're a brunette like, ask your colorist to lift your mid-length and ends to two or three shades lighter than your natural color, and to add a couple of chestnut brown highlights here and there.
MEDIUM ASH BROWN:
traded in extreme ombre look for classic highlights. "These highlights are diffused on the ends and are hitting the points of her layers, which is nice because it shows off the shape of the haircut. This would work best on a medium- to long-layered cut. "You would ask the colorist to work with your natural color, and just highlight the mid-length and ends, following the haircut. The ash brown background is universally flattering, but to add warmth to your complexion, swap the sandy highlights for caramel.
DARK ASH BROWN:
"This is a pretty medium ash brown. "It makes eyes sparkle." When going dark, suggests that it's important to keep length and height in mind. "When you have long, dark hair and are tall in proportion to that, it looks elegant. But if you're petite, make sure it's not one length, because it will look overwhelming." Layering will add movement to your hair and stop it from hiding your face and body shape.
SMOKY BROWN:
"Because this isn't the darkest brown or black, it could look good on almost anybody of shade. "It's not going to add color to your skin, but it going to be a nice frame because it's a very natural, soft smoky brown.shade for dark, olive, or golden skin tones it could wash out very pale skin. At the salon, ask for a semi permanent glossing with color a few shades darker than your natural tone and work from there.
BLACK:
pull off this deep shade because of her olive complexion, Robinson says. If you're on the fair side, ask your colorist to start a couple shades lighter than the color you ultimately want, and gradually go darker. "I never suggest you go as dark as Olivia is at first. You could always put another shade on it afterward if you want to go more extreme.
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